London is a city of layers—of history and modernity, of grit and grace. It holds emotion beneath its facades and stories within its skyline. It’s both immense and intimate, much like my experience of moving here and starting over.
When I first arrived in London, everything was unfamiliar. I had left behind a life that was comfortable, rooted, known. What greeted me was a city shaped by bricks and sky—its architecture dense with memory, its weather shifting like emotion. That contrast became my starting point.
Bricks and Layers were my first vision. Bricks stood for permanence and resilience. Layers revealed time and transformation. Together they spoke of the external and internal, of what we show and what we carry. I saw my own path reflected in those textures—a new beginning built slowly and quietly.
A studio born out of solitude and strength.
Then came the sky. Always changing. Always speaking. I began painting the way the sky felt, not just how it looked. Its colors carried my emotional seasons—softness, uncertainty, awe, hope. They became the palette of reinvention.
The skyline, with its hard edges and history, turned into something personal. Not just a view—but a map of what I was building. Each painting in this series captures that meeting point: the tension and harmony between sky and structure, between freedom and foundation.
“Life Beneath Intersecting Lines” is about that balance. It’s about what happens when you stand at the edge of what you know and choose to begin again.
Each piece is a chapter—marked by mood, anchored in place. Together, they tell the story of learning to live beneath London’s lines, and finding meaning in the space where they cross.
Art lets me frame what words often cannot.
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